That B5 pickup is long sold, so I don't have pics any more.
On a side note: I spent the last two weeks reading on the guitarnutz2 forum and learned A LOT about pickups. Actually it was the first time in my life (after playing electric guitars for maybe 35 years, AND being an electrical engineer), I dove relly deep into what is technically important and really makes the sound of a pickup.
I mean, I've had the books by Manfred Zollner for like 10 years now, but tbh, Zollner gets VERY theoretical, and that guitarnutz2 forum mostly doesn't.
What I wanted to say: I wrote here in this thread, I don't like the Tonezone. Well, with with what I learned from guitarnutz2 AND reminding myself and you of this thread
https://www.dimarzioforum.com/forum/index.php?topic=16029.0 , with the large DCR tolerances, the snake oil DiMarzio EBMM EvH could very well sound like a Tonezone or vice versa.
So my main guitar at the moment, where the bridge pickup sits 5 ..7mm nearer to the bridge as in my EBMM Axis's, had a 12k A5 pickup, which I needed to bring very near to the bass strings, to have a balanced sound (and still does not come close to the Axis's). So I put one of my Dimarzio EvH pickups in there, just for the sake of testing, and - well it was really much better.
Now, knowing, that a Tonezone will sound VERY close, I found a cheap one, and put it in there - and turns out, I so much like it!!!
It sounds really, really good in that guitar. I have to admit, I don't like it in the guitar of my band buddy, an old EBMM SUB (chost-saving US-made variant of a Silhouette), where the bridge pickup is even a few millimeters further away from the bridge towards neck, so the TZ sounds quite muddy in there.
Long story short: I can say now: the Tonezone sounds GREAT!
