I rather mean the kind of blooming of notes played usually associated with a Strat neck PU.
Not to be mistaken with the glassy SC sound, which I'm not after. The Air Norten does have that blooming effect I mean while the HFH is missing it - at least in this Gibson SG and the amps I tested it with.
So my resume is that bright pickups just sound thin in this guitar.
Several years ago I tried all kinds of phase switching, series and parallel wirings and how useful all of that is really depends on the guitar and the pickups used.
Usually I find series OoP wirings on the bridge PU more useful. I tend to dislike parallel wirings of humbuckers in itself.
As I already tried some very bright pickups, I'm afraid the Super 2 will disapoint me as it's probably kind of a high power Humbucker from Hell model.
What I really need in the SG are mids and only moderate bass and treble.
I like the recommendation of the EMG 81 since to my understanding the 81 always was ment to be in the neck postition and the 85 in the bridge. I always liked the 85 in the brdige more than those 81 but would rather try a 60 in the neck.
Don't know why would someone put it other way around as most guitars with EMGs are sold with 81/85 for bridge/neck..
If the Air Norton has too much bass in the neck spot (for me it would), LiquiFire is an option.
Cheers Stephan
I recently tried it with my Engl 580 preamp and the Air Norten performs quite well in the bass frequencies.
The Liquidfire and Gravity Storm are probably the best bets, see the technical comparison attached.