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Messages - FeinMusic

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16
Everything you wanted to know about .... / Re: The Norton
« on: October 13, 2009, 02:23:51 AM »
All the guitars except the acoustic guitar and the chorused guitar are done on the Norton in the bridge of a Les Paul Studio Lite "ClownFace" apparently.  It's going straight into a proco "The Rat" pedal into a 65 fender Bandmaster head and Marshall 4x12 cab

The chorused guitar is an HFH in the neck with a modded boss CE-3 going through a 73 Super Reverb and I think the acoustic is an Esteban lol

17
Everything you wanted to know about .... / Re: Humbucker From Hell
« on: September 29, 2009, 03:47:04 AM »
That all depends on how you have the pickups positioned.  I've had a situation where the HFH was louder than a Super 3 at similar heights and the Mo'Joe dwarfed it while being minimally higher up.  The Norton and Air Zone both seemed to be dwarfed by the HFH unless it was much lower.  I would not underestimate this pickup's ability to cut through when dirty

18
Everything you wanted to know about .... / Re: Humbucker From Hell
« on: September 27, 2009, 07:24:57 PM »
It's bright.  I've heard it described as borderline shrill and that discouraged me from trying dual HFHs a few months back.  It's not sounding like such a terrible idea if it's configured properly......

19
The mini bar (off topic & misc) / Re: your first guitar idol?
« on: September 22, 2009, 07:47:59 AM »
I hear a lot of Avenged Sevenfold at my local Guitar center and I pride myself on having once shut up the store playing an Ibanez on clean channel when trying out the Peavey Vypyr

20
The mini bar (off topic & misc) / Re: your first guitar idol?
« on: September 17, 2009, 11:23:02 AM »
You just reminded me, Nick.  I've been having an obsession with Robin Finck. He's  unfortunately been in an unfair position in the media but he is under rated and really has a great feel and sense of melody kinda like a ballsier Gilmour or a more refined Slash

21
The mini bar (off topic & misc) / Re: your first guitar idol?
« on: September 16, 2009, 08:25:50 AM »
I'll come clean as a big follower of Tom DeLonge  at first.  Then when I started playing it was John Frusciante.  Right now I'm a pretty big fan of Bumblefoot and Mick Ronson

22
Everything you wanted to know about .... / Re: Humbucker From Hell
« on: September 09, 2009, 03:47:21 PM »
.... But that's kind of what it sounds like already?

23
Everything you wanted to know about .... / Re: Humbucker From Hell
« on: September 07, 2009, 08:05:17 PM »
I kind of had a feeling you would say that

24
Gear Closet / Re: Compression?
« on: August 24, 2009, 02:16:20 PM »
If I had the venue to crank I would.  Or the love of attenuators

25
Gear Closet / Re: Compression?
« on: August 23, 2009, 09:31:36 AM »
I think I'm going with that little green Guyatone pedal.  One of my mentors recommended it as the most transparent thing he's ever played and I hope to prove it right.  I've got a stock TS9DX going too.  From what I can tell the thing doesn't even need to be modded

26
Gear Closet / Re: Compression?
« on: August 08, 2009, 08:42:29 PM »
It's mainly the dirty I'm concerned with.  I could use an extra gain stage for when I really want more sustain

27
Gear Closet / Compression?
« on: August 08, 2009, 11:31:20 AM »
How do you guys feel about it?  I'm looking for that extra sustain but most pedals reem way over the top with the dynamic squashing.  Call me old fashioned but I like the gratification of beating the tar out of my strings and hearing the pick attack.  Anyone care to share their experiences?  Perhaps someone can suggest a more subtle compression pedal or an alterative pedal for sustain.  Also does anyone have experience using limiter pedals?  Thank you!

28
Everything you wanted to know about .... / Re: The Norton
« on: August 07, 2009, 12:21:55 PM »
Has anyone used the norton in the bridge pole pieces facing the neck?

29
Everything you wanted to know about .... / Mo'Joe
« on: August 06, 2009, 05:32:52 AM »
If the PAF Pro needed more harmonics and the Fred just didn't sound big enough for you then the Mo'Joe may be right up your alley!  Named after the man who commissioned its design, Joe Satriani wanted a pickup in the voice of the Fred but run hotter and let's just say that for a middle class pickup the Mo'Joe runs HOT!  It can easily drive pretty much any tube amplifier I played it through excluding my 70s Super Reverb and based on fundamental knowledge of Joe Satriani it was designed with rhythm playing in mind.   Generally Satch while performing live will play the rhythm parts and the melody/refrain on the bridge pickup while switching to his neck pickup for fancier things so this pickup was just born to be muscled around.  The notes you play are exposed entirely as what they are with little smoothness about the distortion in  a lot of cases which to me has phenomenal places..  Think a modern version of Dean DeLeo's later distorted guitar tones.  I've seen this pickup described as "growly" compared to the "searing" tone of the Freed.  This pup doesnt growl, it snarls.  Liken it to the vocal stylings of Megedeth's Dave Mustaine: loud, rude and probably never learned the meaning of the word Subtle.  If you handle this quality wrong it becomes nasal and sometimes damn near unusable and this can be softened by using it in Basswood like Joe does.  Personally I found it to be utterly pummeling in the bridge of a Mahogany Les Paul with harmonics for days and mids to cut through mixes easily.  To repeat:  I would not recommend this pickup for shred style leads or in situations where finesse and sustain are needed.  It's much more of a muscle the hell out of it for tight, ballsy playing pickup.

http://www.dimarziomforum.com/user_uploads/luredmaul/IthinkImInLove01.mp3
http://www.youtube.com/watch?v=W3xYGXilYSQ
Would be examples of it in a Les Paul.  In the first clip I am playing all the guitars on there with the Mo'Joe in the bridge and in the video any given dirty riff is being played with the Mo'Joe... I'm in front of the camera so it makes things a bit easier to tell.

For examples of this in Basswood I would cite Super Colossal, Professor Satchafunkilus and the Chickenfoot CD as it is still Joe's current Bridge Pup

http://www.youtube.com/watch?v=zOtUVCuDhyY
At least to me it seems pretty obvious when he switches between the pickups

30
Everything you wanted to know about .... / Re: The Norton
« on: July 30, 2009, 08:41:26 PM »
I'm wondering if maybe disconnecting my bridge tone knob might give the Norton that extra oomph or would it not even be noticable?

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