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Messages - RayBarbeeMusic

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46
My current choice is (if you want standard strat sounds) Injector Bridge, '58 or '61 middle, '67 neck.  That can vary some by guitar if the guitar is very bright or very dark naturally.  I also generally use a .0015uf cap on the bridge tone, second tone controls all other positions and is .0022uf.  In bridge position I use a switching system that can put the bridge in series with either middle, neck, or middle/neck in parallel, while also disabling the bridge tone control and rolling off what would normally be overwhelming low end when doing that; and it doesn't affect the other 4 positions.  4th position has a 3 way switch that does middle plus bridge, middle plus neck, or all 3 on.

I also really like that combo subbing a Fast Track 1 in the bridge for a P90 (albeit much improved P90) sounding bridge, or Chopper in the bridge if I want a PAF type bridge tone.   If I'm doing either of those, I don't install the series switching part, not really necessary.

47
The Pickup Place / Re: PAF Joe neck and Mo Joe bridge in alder
« on: April 02, 2021, 11:06:27 PM »
Mo Joe and Air Zone are two VERY different pickups.  I've used both extensively.  Mo Joe is a high-ish wind PAF.  Air Zone is a modern sounding medium hot output pickup with a very pronounced low mid/mid emphasis.  So if you want PAF kind of articulation on the low strings, go MoJoe, it has that.  If you want very thick sounding low strings with lots of bass and low mids, and rolled off, fatter highs on the high strings, go Air Zone (or AT-1).

48
The Duncan '59 ...... can be a little boomy in some guitars.

I find it a lot boomy in all guitars.  Makes a great clean jazz pickup, but with gain it's mud city.

49
The Pickup Place / Re: Air Zone...Anyone?
« on: April 01, 2021, 11:40:56 PM »
On a super switch you might want to consider:

1) Bridge Series
2) Bridge + Neck both split
3) Bridge Series + Neck series
4) Neck parallel
5) Neck. 

Keeps you noiseless in all positions, gives you the very useful both buckers on postion, and still a couple stratty sounds.

50
The Pickup Place / Re: PAF Joe neck and Mo Joe bridge in alder
« on: April 01, 2021, 11:38:53 PM »
Should work fine.  I really like the Mo Joe.  It has little to do with the Fred, it's more a nice hot 9k PAF.  Has a balanced high end rather than the super sharp highs of PAF Pro or Fred.  Haven't used PAF Joe in a few years but as I recall it's basically a PAF pro with less low end to muddy things up in the neck position.

51
The Pickup Place / Re: Patent numbers gone...
« on: March 29, 2021, 03:38:29 PM »
Might be the patents have expired as well.

52
The Pickup Place / Re: Help with all maple hss guitar
« on: March 29, 2021, 03:35:23 PM »
Fast Track 1 is lower output than Chopper so would work for the cleaner usage.  If you want a DiMarzio to fit your route, the option is called "No Flange".

53
The Pickup Place / Re: Favorite humbucker in a strat?
« on: March 23, 2021, 02:43:49 PM »
36th bridge is a great choice, I use them in a lot of strats and other guitars.  Pearly Gates is wicked bright, to the point I found it unusable even in a dark sounding Les Paul. Tone Zone S is a very dark pickup, so going from that to either a 36th or a PG will be like taking a few dozen blankets off your amp.  36th bridge is bright, clear, precise and vocal, PG is just super bright.

54
The Pickup Place / Re: Middle single in an HSH
« on: March 23, 2021, 01:29:17 AM »
All the Area line except the VSolo and the VV Blues use A2, so string pull is low.  Pick the one that gets you the heat you want.  I like the '61 in an HSH setup.

55
The Pickup Place / Re: Air Zone...Anyone?
« on: March 23, 2021, 01:27:47 AM »
Exactly the right choice.  Doesn't have those odd frequency bumps the TZ has, sounds far more like a fatter vintage pickup.  If you could fit 12k of 42ga wire on a PAF (you can't), that's kind of what it sounds like.

56
The Pickup Place / Re: Single Coil Size P-90
« on: March 23, 2021, 01:25:38 AM »
I revisited this and directly compared some of the pickups in question. 

First:  P90 tone...what do you mean?  Do you mean something that actually acts like a P90?  Have you used P90s extensively?  If you haven't, you probably don't know what that is.  They have this high end roll off thing some people love, I h8 it with a passion as it kills pick attack dead.  Sounds like a strat pickup or a PAF with the tone rolled all the way down even when it's wide open.  Gets exponentially worse as you add wire, so if you overwind one above 8k, the high end takes a dive into hell.  If you never pick fast, ok, but if you do, you will hate it with a passion.

What people who haven't used them tend to mean is, big fat loud single coil.  So which you mean makes a difference. 

Kinman Big 9-0:  Sounds like a P90 insofar as it's hot, and the high end is compressed and rolled off, albeit not quite as much as a 90.  The more I play it, the more I hate it.  It has a weird high end that is muted, overwhelming mids like a cocked wah, and not in a good way.  Sounds good on low chords and some power chords, h8 it for leads.  I can get similar sounds if I take an Injector bridge and roll the tone way down, but the injector never sounds or responds as bad as the Big 9-0.  If you've really extensively used overwound P90 bridges for real, you might like it as it has some of those qualities.  They are qualities I personally hate though.

Injector Bridge can do the bright strat thing with the tone wide open, but responds very well to a .0015uf cap rolled down. Becomes fatter but not weird like the Kinman.  Sounds like Blackmore with that setup and the tone rolled off, but I'd compare it more to a tight PAF with that done than a P90, unless your definition of P90 is the second one I use above. 

Fast Track 1:  This is the 2nd definition I use above in spades.  Big, fat, loud single coil.  No high end weirdness of a real P90 or the Kinman.  Like the injector, responds well to a.0015uf cap on the tone control, but wide open it's perfectly usable.  Bright highs and big, tight, but not boomy, low end.  I really like this in the bridge of a strat, it sounds 'right'.  Bright enough to mix with the singles, enough bass to not sound thin, fattens up nicely without losing all articulation as the tone is rolled back.  This would be what I'd point someone to if they wanted a really huge single coil sound in the bridge, like all the good qualities of a P90 with none of the high end weirdness-baggage.  Add:  Plays nice with 250k pots.

Chopper.  This is a PAF sound, I don't care what DiMarzio says.  I compared it to at least 30 different PAFs in the bridge of strats and it falls right into that camp, and it's one of the best available as well, really sounds great.  Sounds nothing like a P90.  Fatter, no high end roll off or compression.  I love this pickup in the bridge of a strat to.  Add:  Works better with 500k pots.

Also RE the chopper and fast track 1:  You do NOT have to split them in position 2 to get good quack with the middle pickup.  With full sized humbuckers, you really do, and you need to use the bridge coil, which often means flipping the magnet.  FT1 and chopper have a tighter magnetic field and do not need splitting for a correct strat position 2 tone.

57
Everything you wanted to know about .... / Re: Dp200 Morse Bridge
« on: March 23, 2021, 01:05:56 AM »
I used to have one.  Not as fizzy as a Super D, more midrange growl and less glass. 

The way you get Low DCR with high output is:  You don't use the wire everyone thinks you're using.  See also super 2.  I'd be willing to bet super 2, morse, HFH are all wound with 41ga wire or some metric equivalent so the DCR is low for the # of turns there.  I suspect the same for the PAF Master as there is no way you get the output rating they show with A4 and under 8k of DCR unless you're using larger than 42ga wire.  Super 2 and Morse have big ceramic mags, which boosts output.

Larger wire = lower DC resistance for the same length.  What matters for output on a pickup is:  # turns of wire and magnet strength.  DC resistance is a by product of the wire length and diameter.  Most people assume everything is wound with 42 and a pickup reading 16k has twice as much wire as one reading 8k, but it's not true as over about 9.5k you're using thinner wire with higher resistance.  I have a spreadsheet that calculates the equivalent DCR in 42 ga wire for a given DCR of 40, 41, 43, and 44 ga wire, so I can make meaningful comparisons.

58
The Pickup Place / A5 in Transition bridge?
« on: January 16, 2021, 07:43:08 PM »
Anyone tried that?

59
The Pickup Place / Re: Super Distortion vs 36th Anniversary bridge
« on: January 11, 2021, 01:27:03 PM »
Not at all the same animal or the same sound. 

As noted, ditch the 1meg pots or anything will be shrill.

36th:  much tighter lows, more vocal mids.  Bright but not the glass-scratching bright of the SD.

60
The Pickup Place / Re: Single Coil Size P-90
« on: January 08, 2021, 08:06:33 PM »
Kinman Big 90 is definitely significantly darker and has more inductance than an injector bridge, and doesn't respond as well to tone roll off.  The Injector bridge response amazingly well to a .0015 cap and a 500k tone rolled down; it can sound much more like a humbucker than the Big 90 in that scenario, where the Big 90 gets dark and pick attack gets lost with the same setup.  With the tone wide open, the big 90 is definitely darker.  He has a new one called kick-in-the-arse that I haven't tried yet, that is probably closer to a P90.

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