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Messages - darkbluemurder

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1126
Having always fought with humbuckers in the neck that sounded too muddy on the low strings for my taste I read this thread with great interest:

http://www.dimarzioforum.com/forum/index.php/topic,4434.msg34291/topicseen.html#msg34291

I simply had to have one and I put it into my in my double cutaway LP Special/Hamer style guitar. Body and neck wood are mahogany (according to the builder swietenia macrophylla), the fingerboard is rosewood (probably Indian). Bridge is a Tone Pros AVT-II. The guitar has a 3-way toggle, one volume and one tone control (nominal 500k log each, volume about 520k, tone about 490k). The tone control is a push-pull which is used to series/parallel switching for the DLX Plus. Tone capacitor is a Xicon MPP 0.0022uf.

I also bought a DLX Plus for this guitar. That review is here: http://www.dimarzioforum.com/forum/index.php/topic,4976.0.html

I tested this through my self-modded Marshall and a Bassman converted to a D-style circuit for the clean tones.

I had to modify the guitar slightly to get the DP240 low enough to not overpower the DLX Plus in the bridge but with some careful Dremel routing it worked perfectly. I used a black GFS mounting ring (they have mounting rings for minibuckers in black and cream) which fit perfectly into the P90 slot. It looks very good on that guitar, not strange at all.

Tonally this pickup is bright, brighter than any big humbucker and also brighter than any 'tron humbucker. It has lots of treble and clarity, even with the 500k volume pot. I have not played a Firebird pickup in this guitar but that definitely cannot be much brighter! Mids are there but they are rather controlled. Bass response is very good but not muddy. This tone lends itself well to clean or mildly overdriven playing but it can also hold its own in a high gain situation with a bright, cutting tone. And here, the 0.0022uf tone capacitor comes into play very nicely: with the tone pot down the DP240 almost sounds like a big humbucker but without the mud on the low strings. Very very cool.

Together with the DLX Plus in the bridge you get a very clear middle position sound, which will get even clearer with the DLX Plus used in parallel mode.

I am still contemplating to change the volume pot in this guitar to 1 meg to make the DP240 even more clear and use a 1 meg resistor for the DLX Plus to bring the load for it down to 500k. But for now I will keep the guitar as is and play with it a little more.

It's great that this pickup exists. I think we should have more pickups between the humbucker and single coil food groups, such as Minis, Firebirds and Filtertron types.

Cheers Stephan

1127
Everything you wanted to know about .... / DLX Plus
« on: April 29, 2014, 06:04:23 AM »
Inspired by this post of RayBarbeeMusic http://www.dimarzioforum.com/forum/index.php/topic,4434.msg34371/topicseen.html#msg34371

I kept thinking about my double P90 equipped guitar where I could never bond with the P90s - not enough power or punch at the bridge and even though the P90 in the neck was less muddy than most of the neck humbuckers I played it lacked the sparkle on top. So when I saw a used DLX Plus I took my chance, purchased it and installed it in my double cutaway LP Special/Hamer style guitar. Body and neck wood are mahogany (according to the builder swietenia macrophylla), the fingerboard is rosewood (probably Indian). Bridge is a Tone Pros AVT-II. The guitar has a 3-way toggle, one volume and one tone control (nominal 500k log each, volume about 520k, tone about 490k). The tone control is a push-pull which is used to series/parallel switching for the DLX Plus. Tone capacitor is a Xicon MPP 0.0022uf.

I also bought a DP-240 (more on this in a separate thread) for this guitar. EDIT: link is here: http://www.dimarzioforum.com/forum/index.php/topic,4977.0.html

I tested this through my self-modded Marshall and a Bassman converted to a D-style circuit for the clean tones.

The output is strong but not over the top. Clean tones are possible but there is a lot of power available to really push the amp.

Reading the website's description and EQ charts you may think that the DLX Plus is scooped in the midrange, and you'd be mistaken. While the midrange may not be as prominent as on other pickups they are still there and it's not shy in the midrange by any means. If I had to describe the DLX Plus with one word it would be "creamy". Bass response is very good but still tight, no mud to be found. Treble response is smooth but not dull (an important distinction), and it retains the smoothness throughout the fretboard. Even the very high notes sound round and fat, which makes it a lot of fun to play lead stuff.

So far I have been describing the DLX Plus in series mode. In parallel mode it has less output, less bass and more highs, just as expected. It's a bit a thinner tone, not bad but not spectacular either. I have not done any resistor tricks to bring down the load in parallel mode yet - maybe that helps. 

As far as tone caps, I started out with the "standard" value of 0.022uf. This made it too dark, only good if you want to do wha-wha effects with the tone control (which I almost never do). I then tried 0.0047uf but that gave me sort of a cocked-wha tone on both pickups which I disliked. For now I settled on 0.0022uf which is very subtle on the bridge pickup when in series mode. In parallel mode the effect is more pronounced. But I really like the effect this cap has on the neck pickup (more on that here: http://www.dimarzioforum.com/forum/index.php/topic,4977.0.html). Hence I will leave it at that or maybe put the tone control on the neck pickup only.

The DLX Plus is a great replacement for P90 and minibucker equipped guitars where a warmer tone is required without going to really high output pickups such as the SD or TZ in that format. Highly recommended.

Cheers Stephan

1128
Where do I begin...the neck pickup is THE neck pickup to have in a Tele. It's got a nice round warmth yet exceptional clarity that can't be beat. It's beautiful. It's warm enough for vintage style blues and jazz, yet it retains enough clarity for pop, rock, and country. It sounds incredible with light distortion and can take you into a whole other universe. Play with the height on this and you'll find your sweet spot.

A big +1 on this.

Yesterday I put the Area T neck into a Telecaster which has a Curtis Novak Tel-HC in the bridge - a split-noiseless single coil (like a Precision Bass pickup). The Area T neck replaced a Lollar Firebird which sounded great in this guitar but overpowered the bridge pickup so I needed something with lower output. Saw an Area T neck on ebay and scored :)

The Firebird will not have to wait long for a new home, though. Just waiting for the adaptor rings to arrive ...

Cheers Stephan

1129
The mini bar (off topic & misc) / Re: your first guitar idol?
« on: April 14, 2014, 11:52:00 AM »
My first guitar heros were Eric Clapton, Rory Gallagher and Michael Schenker. Johnny Winter, Dickey Betts and Duane Allman followed after I got into guitar more seriously.

Cheers Stephan

1130
Yeah, such as the Area series. IMHO there is no comparison for noiseless single coil sized pickups. 

Cheers Stephan

1131
Not me. Never liked any Duncan pickup I played much - sold them all off.

Cheers Stephan

1132
I recently scored a Virtual Hot T but have not yet installed it in anything yet. But I got a Tele which has a Firebird pickup in the neck that is just aching for a hotter bridge pickup ... more to come.

Cheers Stephan

1133
Guitar Lounge / Re: Stratocaster tuning secret
« on: April 03, 2014, 10:33:39 AM »
What is in the video works........until you bend a string.  Then that string goes out of tune, and to get it back, you have to dive bomb to reset. 

So while it "works" in terms of being able to dive bomb and come back in pretty decent tune, it does not work in terms of being able to play regularly and expect the guitar to stay in tune without whacking the bar to reset it. 

IMO, that doesn't qualify as really working.  I wouldn't tolerate that from any other Trem and say it "worked" in a tolerable way. 

There are 6 screw replacements like the Super Vee Bladerunner or the Wudtone unit that do take care of the issues with a 6 screw trem.

That was exactly the problem I had with the only guitar that had a Kahler Professional on it, and it was the reason I sold this guitar. Never had such a problem with a Floyd Rose equipped guitar no matter how much I tortured it.

I have one guitar with a 6 screw Wilkinson which works very well for moderate bar use - no tuning issues at all. I have a Callaham on another guitar which I had to block and disconnect the bar because it would not stay in tune even if I only got near the bar - but that could have been due to other culprits than the system itself.

Cheers Stephan 

1134
I just scored a used Injector neck which I put into my H-S stratocaster type guitar. Bridge pickup is a hotter PAF type. The Injector replaced a Bill Lawrence L-200SN and just blows it away - much bigger and fatter sounding but still retaining a single coil vibe. I use 500k pots in this guitar - fits both the humbucker and the Injector well.

This is not even my best strat - I can only imagine how good it will sound in a real good strat.

Cheers Stephan

1135
The Pickup Place / Re: AT-1+Cruisers in a Standard (MIM) Strat
« on: March 26, 2014, 05:11:55 AM »
I measure them, too. Most of mine are between 450k and 480k with some going to 510k. I like the higher values for neck humbuckers.

There is another reason that the actual pot value matters. Lower values provide less series resistance when turned down, and less series resistance means less loss of highs throughout the pot travel (unless a treble bypass circuit aka treble bleed is used).

Cheers Stephan

1136
The Pickup Place / Re: AT-1+Cruisers in a Standard (MIM) Strat
« on: March 25, 2014, 05:05:24 AM »
going from 500k to 410k

A 2M2 resistor in parallel to the 500k pot would get you to about 410k, which means that if you want the total load to be between 410k and 500k you would need a 2M7, 3M3 or 4M7 resistor. A 4M7 in parallel would get you a total load of about 450k.

Cheers Stephan

1137
Center Stage / Re: my new dimarzio samples
« on: March 24, 2014, 05:25:30 AM »
Hi Norbert,

Your sound samples are excellent - great tone, great playing. Many thanks for posting.

Cheers Stephan

1138
The Pickup Place / Re: AT-1+Cruisers in a Standard (MIM) Strat
« on: March 23, 2014, 10:56:08 AM »
My guess is he used a 1M trim wired as a variable resistor from the bridge pickup's hot connection to ground. That would not add any series resistance, only increase the load on the bridge pickup while leaving the other pickups unaffected. Of course the increased load would be there with any combination involving the bridge pickup.

Cheers Stephan

1139
The Pickup Place / Re: AT-1+Cruisers in a Standard (MIM) Strat
« on: March 20, 2014, 02:09:45 PM »
I have no idea how AT's guitars are set up

I had a chance to play an Ibanez Andy Timmons model (made in Indonesia) today. In that guitar the humbucker is automatically split when used with the middle pickup. The volume control controls all pickups. The upper tone pot controls the neck pickup. The lower tone pot controls the bridge pickup.

Not sure whether I would want this set up. I would go with one volume and one tone control and use the second tone control as a blend control - more tones available this way. And I would probably follow RayBarbeeMusic's recommendation to use a 5-way super switch so that the humbucker can be wired in parallel when used with the middle pickup.

In the guitar I played the AT-1 was installed very close to the strings. The Cruisers were not as close. The AT-1 was substantially louder than the Cruisers. If the guitar was mine I would have backed the AT-1 off quite a bit.

Cheers Stephan

1140
The Pickup Place / Re: AT-1+Cruisers in a Standard (MIM) Strat
« on: March 15, 2014, 06:33:20 PM »
Have you set the pickups higher than your old ones? If so the strings may hit them on hard attacks. Even if you have them at the same height than the old ones, try to lower them a little.

Ad 4) You always need a pair of coils to get a humcancelling effect. The AT-1 with both coils in series (or parallel) will achieve this, so will the Cruiser with both coils in series. But as soon as you split the AT-1 you will lose the humcancelling effect, either played alone or with the Cruiser.

Cheers Stephan

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