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Center Stage / Re: Tramaine - Star Scream
« on: June 11, 2019, 11:38:09 AM »
Nice!!! Great song. Awesome tones too.
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When I was coming up, it seemed like everything had a Floyd. I think when shred fell out of favor, the info on setting up a Floyd got sort of lost. They really aren’t that bad. If you can set up a strat trem to float, then you can set up a Floyd style bridge. The pain is intimating, but once you done one, you don’t forget. If you’re stuck on blocking, you’re missing half of the fun with one, but you ARE gaining being able to drop tune without a complete re setup. So there are advantages to the blocked trem. Wow. I almost talked myself into blocking my Floyd equipped guitars with that last statement.Shoving a block of wood that fits *just* right in there also works. It's what Eric Clapton does.
I hope that makes restringing and tuning a lot easier. I've never used a Floyd Rose before. But the YouTube tutorials on how to maintain one made me realize that I would definitely freak out when having to restring it.
It's a pity that most kick-ass looking 80s style guitars come with Floyds.
Actually there's also the body weight, the wood age, the finish and countless different things that affect tone. We can, however, take a good guess how will something affect tone, this is what OP asked for. We ain't here to overcomplicate things to the OP, we're here to help and if in any way possible simplify his/her search for the tone he/she is looking for. I said what ash sounds in general, what he can expect in general. There's whole other thing that, to my ears, DiMarzios are much less picky (again, in general - then some other manufacturer's pu) as far as different woods go, specifically in same species. It's a fact that simply saying "can't help you until you try yourself" isn't helpful.
I am fully aware of all that, and I certainly did not want to overcomplicate things. I would agree that swamp ash tends to have more of a midscoop which usually accentuates low and high frequencies. But if the midscoop is in a certain part of the midrange, the guitar can sound very dark. I have such a guitar with a swamp ash body that has boomy bass, is dark in the midrange and has good but not overbearing highs. The pickups typically recommended for swamp ash (strong mids and lows) all failed miserably in this guitar and produced muddy bass even on the bridge pickup. The only combination that worked was Air Norton in the bridge and a Bluesbucker in the neck because they were bright enough to balance out the inherent darkness of that guitar.
I have never had a similar experience with an alder or mahogany bodied guitar. Neither wood usually does exhibit a midscoop as does ash.
As for the rest I feel you gave the correct advice to the OP.
Cheers Stephan
I have the same issue with an RG that my brother in law gave me. The pickups that would normally work well and sound balanced with a basswood bodied, locking trem guitar, sound like a dark muddy mess. I actually went with a Super 2 in it, and it actually sounds balanced in this guitar. In any other guitar I have, it would sound like a shrill mess, but not this guitar. So yes, no two pieces of wood are alike, no two snowflakes. Sorry, I waxed all Arnold Horshack for a second.