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Messages - buddroyce

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556
The Pickup Place / DiMarzio Black Angel Review
« on: June 17, 2015, 07:31:55 PM »
DiMarzio Black Angel Review

Assuming you’re a guitar player, when you hear the name DiMarzio, what images does it conjure up in your mind? If you’re like most people, you associate DiMarzio pickups with the words along the lines of metal or shred, but did you know DiMarzio also makes acoustic pickups?

New for 2015 is the Black Angel pickup. I just received my evaluation pickup in the mail last week and being a guy who doesn’t own an acoustic, I decided to do the next best thing. Borrow one! But not just any acoustic, I ended up using a 1970’s Gibson Dove that belonged to a client of mine. It originally had a LR Baggs M1 passive sound hole pickup which is what the Black Angel is going to be compared against.

If you’re an acoustic guitar player or have looked into acoustic pickups, the name LR Baggs is probably going to sound very familiar as they are produce some of the finest acoustic pickups out there, so the DiMarzio Black Angel is going up against some seriously tough competition

THE PICKUP

There’s nothing really too fancy about the Black Angel. It came with a cable with a switchcraft ¼” jack to plug in a regular cable with. But since the pickup used the same cable as the LR Baggs pickup it was replacing, I just kept the existing cable.

One thing I did notice though, was that even though it was a passive pickup, there was this little switch on the side of the pickup which turned out to be a phase switch. This is really handy when I gotta deal with feedback. How much of a difference it has in tone, I’m not too sure, but I’ll have to test it.


INSTALLATION

Seeing that this is a vintage Gibson Dove I’m messing around with and since it’s not exactly my guitar, I decided to just run the wire externally. The original LR Baggs pickup was also installed that way so swapping it was easy. The pickups were swapped several times back and forth to provide a better test so I’m VERY glad that swapping the pickups were fast.

The Rig

At first I was thinking of just plugging it into a proper acoustic amp, PA or keyboard amp... but since I didn’t have any of those around, I had it tested through a midget Marshall stack. While this isn’t the most ideal setup, if you’re like me and most electric guitar players I know, running an acoustic into an electric guitar amp for a gig is pretty normal since it’s only going to be used for a single song or even just part of a song. It works, it’s all I care. The mids on the EQ were already reduced to flatten out the signal when testing with the LR Baggs. Ultimately, I’m judging the quality of the pickup against the LR Baggs which is already an awesome acoustic pickup.

INITIAL IMPRESSIONS

After getting the pickup installed, I plugged the guitar in and just played a couple of open chords in the first position. The first thing I noticed was a very natural sounding tone, almost like the guitar was being mic’d. The highs came out nice and everything was very well balanced. It wasn’t boomy, it was noiseless and it didn’t produce any of the annoying squeaky string noise when shifting chords. Overall, it sounds great. It wasn’t so awe inspiring that it made me want to switch from playing electric to acoustic exclusively but it was a great tone none the less. I didn’t think it was any better or worse than the LR Baggs M1 it replaced.

Before I swapped the pickups back again, I decided to flick the phase switch on the pickup. With the phase switch flipped over, the tone became louder and fuller sounding. All the highs were still there but the bottom end just filled so much more. Clearly the midget Marshall stack was out of phase before or something but the tone it now had really showed that this pickup was really a solid contender when it comes to sound hole pickups for acoustic. As I wanted to keep listening to the Black Angel, I decided to switch back to the original pickup for a comparison.

BACK TO THE ORIGINAL

Switching back to the original LR Baggs pickup, the first thing I noticed was that the M1 wasn’t as loud and there was a lack of highs that was present with the Black Angel. The bottom end was bigger on the LR Baggs but it had this boomy muffled vibe going. While it had a great rhythm tone, it just didn’t have the top end the Black Angel did. Needless to say, the original pickup came off pretty quick.

THE BLACK ANGEL RETURNS

With the Black Angel back in again. The amp was cranked as high as it would get to see if it would feedback. The LR Baggs M1 like a lot of acoustics has feedback issues and I wanted to see how well the phase switch would work. However, I couldn’t get the thing to feedback! Even with the switch on both positions, the pickup didn’t squeal which was a definite plus in my book. I don’t know what kind of magic DiMarzio did but there was clearly some sort of magic going on in that pickup!!

FINAL THOUGHTS

I’m not going to lie, like most people, DiMarzio isn’t a name that comes to me when I think about acoustic pickups, but after testing out the Black Angel, I’m actually seriously inclined to recommend them over a lot of other brands. The tone was nicely balanced with all the strings coming out nice and clear. The phase switch on the pickup is a real nice bonus. Even though I wasn’t able to get the guitar to feedback during testing, I know for a fact that just being able to switch the phase of the signal is going to kill any feedback that gets picked up on stage. Being on stage and having to deal with feedback sucks, with this, it’s just a flick of a switch on the pickup which is really easy to get to.

The only downside? The black soundhole pickup didn’t quite look as nice the cream LR Baggs pickup it replaced. But looks aside, I think this is quite the winner.

The LR Baggs M1 soundhole pickup isn’t an easy pickup to compete against but the DiMarzio Black Angel is definitely able to keep up with it. I’m pretty sure there are going to be people who would argue which one is better but so far to my ears the DiMarzio Black Angel has the LR Baggs M1 beat. Heck, I actually had the owner of the guitar test the pickup and she liked it enough to want to keep it in there for her show in a couple of weeks. Maybe she can get the thing to feedback. Either way, I’ll get you her opinion of it after she bashes around with it on stage in front of about 8,000 people.

-Budd

557
The Pickup Place / Re: DiMarzios for alder bolt-on Warmoth Soloist
« on: June 02, 2015, 02:27:09 PM »
I really like the Transition set. If you liked the tone zone but wanted more presence this would be it.

558
Gear Closet / Re: Mesa Boogie Flux Drive
« on: May 30, 2015, 03:00:26 PM »
More of everything huh? Sounds like something worthwhile to look into.

559
The Pickup Place / Re: bright up pro track
« on: May 29, 2015, 06:42:09 PM »
Have you tried a 280k or 300k pot?

Alternatively you could kinda make your own custom value by running a a resistor across the input and ground lugs on a 500k pot.

560
The Pickup Place / Re: Neck Bucker anti woof question
« on: May 29, 2015, 05:29:49 PM »
Have you ever considered running a capacitor inline with the neck pickup to filter out more of the low end? You're basically creating a high pass filter to cut out some of the low end. I believe our friend Lone Phantom (who's also a member here) posted his experience using it on the Tone Zone. You could try something similar.

(found his post)
http://www.lonephantom.com/2011/02/taming-the-tone-zone-continued/

561
The Pickup Place / Re: Airzone & ?
« on: May 29, 2015, 05:26:39 PM »
Quite honestly I think you'd like the Air Classic over the Air Norton. The AN is darker and smoother while the Air Classic has a bit more grit to it.

562
The Pickup Place / Re: Lack of sustain on E & B, any advice?
« on: May 29, 2015, 05:23:52 PM »
Typically when someone brings in a guitar with a guitar that lacks sustain on the upper frets, there's a series of things I check. Neck straightness, fret condition, action, string saddle and the pickups themselves(usually just to see if it's too high). More often than not it's an issue with the neck not being straight or a high fret. Every once in a while it'll be due to flattened frets from a lot of wear.

563
The Pickup Place / Re: -leanest DMZ neck humbucker?
« on: May 29, 2015, 05:12:53 PM »
If by lean you mean with the least amount of bottom end, the HFH is the leanest humbucker I've ever tried.

564
Pickup installations I'd say are a good thing to learn how to do on your own. Especially if you get bitten by the pickup bug and want to start testing out different pickups.

565
What Duncan? First things that came to mind was the Lil 59 or the Cool Rails but I could be off, it's been a while tbh.

I'd go with either a Pro Track or try the new Satch Track myself.

566
The Pickup Place / Re: Dimarzio At1 - with no branding?
« on: May 04, 2015, 01:14:19 PM »
Yeah that doesn't look like a legit DiMarzio to me. Sorry to hear you got burned by it man. Hopefully it wasn't expensive.

567
The Pickup Place / New DiMarzio Black Angel
« on: May 04, 2015, 01:07:57 PM »
I just got this press release from the folks at DiMarzio. I figured I'd share. I'm not much of an acoustic player myself but it's nice to see that DiMarzio is catering to the acoustic players as much as they are the electric players.

###

DiMARZIO RELEASES THE BLACK ANGEL™ ACOUSTIC SOUNDHOLE PICKUP

Staten Island, N.Y., May 4, 2015 – Responding to requests, DiMarzio, Inc. announces the release of The Black Angel™, a new passive magnetic soundhole pickup for acoustic guitars.

In keeping with its name, The Black Angel™ is matte black in color. Like The Angel™, The Black Angel™ “hears” the entire range of the acoustic guitar from top to bottom, with no gaps anywhere. Its “feel” is just as important. The Black Angel™ tracks right- and left-hand dynamics and responds immediately to the sound coming off the string.

The Black Angel™ is quiet, and although it’s magnetic, it doesn’t sound electric — there’s no hum and no battery. Both coils are on a parallel axis to the strings, featuring a humbucking magnetic circuit that is acoustically isolated to reduce unwanted finger and pick noises. Players who like to mix two or more pickups together will appreciate the built-in phase switch makingThe Black Angel™ ideal for use in any dual or multi source system, and it can be easily combined with any piezo or microphone.

The Black Angel™ installs easily and quickly in the soundhole with no modification to your guitar, and it fits soundholes of 3-1⁄2 inches (89 mm) and larger. The 2-1⁄16 “E”-to-“E” string spacing on The Black Angel™ easily accommodates guitar nut dimensions ranging from 1-11⁄16 to 1- 3⁄4 inches.

Both a 1⁄8-inch to 1⁄4-inch Switchcraft endpin jack (install version) and a quick mount 10-foot cable (standard phone jack) are included with The Black Angel™.

DiMarzio’s The Black Angel™ acoustic pickups are made in the U.S.A., and may now be ordered for immediate delivery. Suggested List Price is $229.99. For more information about The Black Angel™ pickup, please visit our website at www.dimarzio.com.

###

568
The Pickup Place / Re: neck match for Super D
« on: March 29, 2015, 11:11:19 AM »
PAF 36th or a PAF Master would be what I'd go with.

569
The Pickup Place / Re: New to 7-strings. Need help!
« on: March 29, 2015, 11:10:18 AM »
I use a Kemper through a guitar cab for monitoring and then go direct to FOH. I use quite a few different profiles for metal; 6505, 5150III, Tapp, Diezel...

In my other guitars I have Tone Zone, AT-1, Norton, Super Dist, D-Activators and Duncan Distortions. I'm leaning towards the DA7 but I just want to hear what people use before I order. Titan looks good on paper too.

Sounds like you're typically used to pickups with a lot of mids in them. The stock blaze pickups that come with the Ibanez Universe are quit the opposite which might explain why you're finding them a bit lacking.

570
The Pickup Place / Re: Cali guitar pups
« on: March 06, 2015, 09:37:32 PM »
The difference in Made in USA and Assembled in USA is a bit weird. FTC regulations state that in order for something to be Made In USA labelled, all or virtually all of the parts must be made in the USA. Virtually all meaning the negligible parts may be of foreign content.

Assembled in USA actually has no qualification. You can basically say it's Assembled in the US if there was some parts from the US(screws, magnet, lead wire). Heck, if you use all foreign parts and there was "significant" assembly, you can still claim Assembled in the US.

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